Formalism II
by Charles Cramer and Kim Grant
by Charles Cramer and Kim Grant
by Charles Cramer and Kim Grant
“Impressionism raises complex and interesting questions about realistic representation. Although we tend to have powerful reflexive judgments about what is realistic in art and what is not, the basis for such judgments is frequently unclear. Supporters of Impressionist painting subtly but substantially shifted the criteria for judging truth to reality in painting.”
(Cramer and Grant)
“Primitivism in art involves the appreciation and imitation of cultural products and practices perceived to be “primitive,” or at an earlier stage of a supposed common scale of human development. This definition contains a basic contradiction: the primitive is admired and even seen as a model, but at the same it is also presumed to be inferior, because it is not fully developed. This paradox makes primitivism a concept that is both intellectually and morally complex.” (Cramer and Grant)
“Vigée-LeBrun first met Queen Marie-Antoinette at the royal palace at Versailles in 1778. The Queen had heard of the young painter’s successes and had her own likeness painted en robe a paniers…” (A. Lynch)
by F. Melian Stawell