Impressionism as optical realism: Monet
by Charles Cramer and Kim Grant
by Charles Cramer and Kim Grant
“A more sophisticated understanding of intellectual cooperation and innovation calls for the understanding of great sociological, economic, political and technological forces surrounding them. In this essay, I discuss the hegemony of electronic-computer capitalism and the changes it provokes in economic, academic and political life, in order to situate in a larger context the issues and challenges we currently face.” (G. Lins Ribeiro)
“A more sophisticated understanding of intellectual cooperation and innovation calls for the understanding of great sociological, economic, political and technological forces surrounding them. In this essay, I discuss the hegemony of electronic-computer capitalism and the changes it provokes in economic, academic and political life, in order to situate in a larger context the issues and challenges we currently face.” (G. Lins Ribeiro)
“A more sophisticated understanding of intellectual cooperation and innovation calls for the understanding of great sociological, economic, political and technological forces surrounding them. In this essay, I discuss the hegemony of electronic-computer capitalism and the changes it provokes in economic, academic and political life, in order to situate in a larger context the issues and challenges we currently face.” (G. Lins Ribeiro)
“Primitivism in art involves the appreciation and imitation of cultural products and practices perceived to be “primitive,” or at an earlier stage of a supposed common scale of human development. This definition contains a basic contradiction: the primitive is admired and even seen as a model, but at the same it is also presumed to be inferior, because it is not fully developed. This paradox makes primitivism a concept that is both intellectually and morally complex.” (Cramer and Grant)
“Vigée-LeBrun first met Queen Marie-Antoinette at the royal palace at Versailles in 1778. The Queen had heard of the young painter’s successes and had her own likeness painted en robe a paniers…” (A. Lynch)