Part A:

The Art of Fugue. Bach Fugues for Keyboard, 1715 –1750, by Joseph Kerman

Preface and Chapter 1     –     Chapter 2     –     Chapter 3     –     Chapter 4     –     Chapter 5

Chapter 6     –     Chapter 7     –     Chapter 8     –     Chapter 9     –     Chapter 10

Chapter 11    –  Chapter 12    –     Chapter 13    –     Chapter 14   –   Chapter 15

Chapter 16 and Afterword

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Claude Debussy: The Preludes, by Nadia Boulanger.

A Cultural Essay on 18th Century Europe, by W. H. Hadow.

The Enduring Value of Classical Music in the Western Tradition, by Ellen T. Harris and Michael Beckerman.

Frédéric François Chopin. Excerpt from The Romantic Period,by Edward Dannreuther.

Goldberg Variations (J. S. Bach), by J. A. Fuller-Maitland.

A Lecture on the Early Works of Stravinsky (to 1925), by Nadia Boulanger.

 

Modern French Music, by Nadia Boulanger.

Mozart’s Work Ethic. An excerpt from “Haydn, Mozart, Beethoven”, by Prof. Dr. C. Krebs.

Mozart, 1762-1770. An excerpt from “Haydn, Mozart, Beethoven”, by Prof. Dr. C. Krebs.

Musique et Humanisme, de Jean Pérouse (fr).

The Opera from Mozart to Weber (Excerpt). The Oxford History of Music. The Viennese Period, by W. H. Hadow.

 

The Rise of Virtuosity, from The Age of Bach and Handel, by J. A. Fuller-Maitland.

Thoughts on the Preludes of Claude Debussy, by Irwin Freundlich.

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Part B:

Texts are from the biography by Alfred Einstein: Mozart. Sein Charakter, sein Werk. (Mozart. His character and works.) Lizenz: verwaist / License: abandoned. Translations by Edward Eggleston.

Chamber Music: Three Sonatas for Piano and Violin.

Mozart and Universality

A Counterpoint Series: Mozart and Counterpoint.

Part one – Part two – Part three

Part four – Part five

A Series on Mozart and the Piano.

Part one – Part two – Part three

Part four – Part five – Part six

 

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