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Digital Humanities
Discover HPL

Discover HPL

Digital Humanities
Discover HPL
Discover HPL
  • Democracy Now interviews Shoshana Zuboff: “The Age of Surveillance Capitalism”, Part 2.
    Adult | Books | Education | Humanities

    Democracy Now interviews Shoshana Zuboff: “The Age of Surveillance Capitalism”, Part 2.

    ByEdward Eggleston 2019-11-182022-02-03

    “… These are data that are illegitimately taken from our lives, … without our permission, because it’s done without our knowledge, so we couldn’t possibly give our permission.” — “… private human experience is out of bounds… [and] is essential for a democratic society. It cannot be turned into a commodity…” (S. Zuboff)

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  • Democracy Now interviews Shoshana Zuboff: “The Age of Surveillance Capitalism”, Part 1.
    Adult | Books | Education | Humanities

    Democracy Now interviews Shoshana Zuboff: “The Age of Surveillance Capitalism”, Part 1.

    ByEdward Eggleston 2019-11-162022-02-03

    “… private surveillance capital has institutionalized asymmetries of knowledge unlike anything ever seen in human history. They know everything about us; we know almost nothing about them.” (S. Zuboff)

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  • Inteligencia artificial: entre el mito y la realidad.
    Adult | Education

    Inteligencia artificial: entre el mito y la realidad.

    ByEdward Eggleston 2019-11-082022-02-07

    ¿Se volverán las máquinas más inteligentes que los seres humanos? No, responde Jean-Gabriel Ganascia: se trata de un mito inspirado por la ciencia ficción…

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  • Mozart and Counterpoint. (5)
    Adult | Books | Education | Humanities

    Mozart and Counterpoint. (5)

    ByEdward Eggleston 2019-10-172024-03-01

    The final translated section of „Mozart und der Kontrapunkt“, by Alfred Einstein.

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  • Mozart and Counterpoint. (4)
    Adult | Books | Education | Humanities

    Mozart and Counterpoint. (4)

    ByEdward Eggleston 2019-10-092024-03-01

    “Bach and Handel“ … the decisive names appear.

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  • Mozart and Counterpoint. (3)
    Adult | Education | Humanities

    Mozart and Counterpoint. (3)

    ByEdward Eggleston 2019-10-012024-03-01

    Section 3 follows Mozart’s development in counterpoint after his time in Italy with Padre Martini.

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