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Digital Humanities
  • Democracy Now interviews Shoshana Zuboff: “The Age of Surveillance Capitalism”, Part 2.
    Adult | Books | Education | Humanities

    Democracy Now interviews Shoshana Zuboff: “The Age of Surveillance Capitalism”, Part 2.

    ByEdward Eggleston November 18, 2019February 3, 2022

    “… These are data that are illegitimately taken from our lives, … without our permission, because it’s done without our knowledge, so we couldn’t possibly give our permission.” — “… private human experience is out of bounds… [and] is essential for a democratic society. It cannot be turned into a commodity…” (S. Zuboff)

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  • Democracy Now interviews Shoshana Zuboff: “The Age of Surveillance Capitalism”, Part 1.
    Adult | Books | Education | Humanities

    Democracy Now interviews Shoshana Zuboff: “The Age of Surveillance Capitalism”, Part 1.

    ByEdward Eggleston November 16, 2019February 3, 2022

    “… private surveillance capital has institutionalized asymmetries of knowledge unlike anything ever seen in human history. They know everything about us; we know almost nothing about them.” (S. Zuboff)

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  • Inteligencia artificial: entre el mito y la realidad.
    Adult | Education

    Inteligencia artificial: entre el mito y la realidad.

    ByEdward Eggleston November 8, 2019February 7, 2022

    ¿Se volverán las máquinas más inteligentes que los seres humanos? No, responde Jean-Gabriel Ganascia: se trata de un mito inspirado por la ciencia ficción…

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  • Mozart and Counterpoint. (5)
    Adult | Books | Education | Humanities

    Mozart and Counterpoint. (5)

    ByEdward Eggleston October 17, 2019March 1, 2024

    The final translated section of „Mozart und der Kontrapunkt“, by Alfred Einstein.

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  • Mozart and Counterpoint. (4)
    Adult | Books | Education | Humanities

    Mozart and Counterpoint. (4)

    ByEdward Eggleston October 9, 2019March 1, 2024

    “Bach and Handel“ … the decisive names appear.

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  • Mozart and Counterpoint. (3)
    Adult | Education | Humanities

    Mozart and Counterpoint. (3)

    ByEdward Eggleston October 1, 2019March 1, 2024

    Section 3 follows Mozart’s development in counterpoint after his time in Italy with Padre Martini.

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